The Sky Is Still Worth It

I was setting bowls down for the cats, just moving through one of those slow, slightly off days that come after being sick. Not bad enough to stop everything, just enough to make it all feel a little distant, like I was a step behind my own life.

They circled my legs, impatient and steady, completely present in a way I wasn’t.

I glanced out the garage door and there it was.

A rainbow stretched wide across the sky like it had been waiting for someone to notice.

And I did what I always do. I stopped.

Because I am the kind of person who chases these things. The sky, the storms, the quiet moments most people pass by. I have stood in fields for stars, driven back roads for light, waited at the edge of days just to catch something fleeting before it disappears.

That part of me hasn’t gone anywhere.

Even sick, even tired, even a little disconnected, I still feel it. That pull. That instinct to look, to notice, to hold onto something beautiful for just a second longer.

I finished setting the bowls down faster than I meant to and went inside.

“Hey, come look.”

She’s four, so she ran like it mattered. Like wonder is something you have to meet halfway or you’ll miss it.

Her hands pressed against the window, her whole face lighting up in a way that felt familiar.

“A rainbow! Aunt Kelly, it’s a rainbow!”

And then, like it was the most obvious truth in the world,
“There’s a pot of gold at the end.”

And I smiled, because I understood her more than she realized.

Not the gold.
But the chase.

Because that’s what it is.

Not just seeing something beautiful, but believing there is something worth moving toward because of it.

I don’t believe there is a literal pot of gold waiting at the end of a rainbow.

But I do believe in standing in the cold for stars.
In chasing storms across open land.
In pulling over on gravel roads because the sky decided to become something more for a few minutes.

I believe in going after wonder like it might slip through your fingers if you don’t.

Standing there, still not fully myself, still carrying that quiet weight of the last few days, I realized something.

Wonder didn’t feel smaller.

It just felt a little further away in that moment.

But it was still mine.

Still there in the way I stopped.
Still there in the way I looked.
Still there in the part of me that will always turn toward the sky.

She saw a pot of gold waiting.

I saw something just as real.

A reason to keep chasing.

So remember to follow it.
Not just to notice the beauty, but to move toward it.
To step outside, to look longer, to go a little further than you need to.

Because wonder isn’t something you either have or lose.

It is something you choose, again and again, every time you decide the sky is worth looking at.

She Stands Between Prairie and Hills

There’s a moment, right before the land changes, where I always pull over.

East of the river, everything stretches—flat, open, familiar. Prairie that feels like it goes on forever, like a breath you don’t have to think about taking. But once you cross the Missouri, the earth begins to rise. It gathers itself into hills, into movement, into something a little more wild.

And right there, in that in-between, she stands.

Lady Dignity.

She doesn’t just stand—she holds space. Arms outstretched, star quilt open like a sky you can almost step into. She stands with her back to the Missouri River, facing east—toward the prairie, toward the long stretch of land I come from.

There’s something about that I can’t shake.

It feels intentional. Like she isn’t watching what has passed, but what is still becoming. Like she’s holding space for what lies ahead instead of what’s already behind.

And every time I stop there, coming from the east, it feels like she’s meeting me. Not turning away—but standing firm, steady, facing the same horizon I’ve known my whole life.

Prairie to prairie. Quiet to quiet.

Like she understands where I’ve been before I even arrive.

I always stop here. I don’t rush it. I don’t treat it like just another roadside landmark. It feels wrong to do that.
There’s something about her that asks for stillness.

Maybe it’s the way the wind moves through this place—real South Dakota wind, the kind that doesn’t ask permission. It catches the edges of her quilt, the blues shifting like pieces of sky caught in motion. In the daylight, those diamond shapes flicker and glow, like quiet reminders that even something solid can carry light.

And at night, she changes.

She doesn’t disappear into the dark—she rises in it. Lit up, steady, unwavering. Not softer, not smaller. Just… present in a different way. Like strength doesn’t always have to be loud to be seen.

Dale Lamphere said she represents the courage, perseverance, and wisdom of the Lakota and Dakota people—and you can feel that when you stand there. Not in a loud, overwhelming way. But in something deeper. Something rooted. Something that doesn’t need to prove itself to be known.

It makes you straighten a little. Look a little longer. Think a little quieter.

For me, she’s become a marker. Not just of geography—east and west, prairie and hills—but of something internal too. A pause between where I’ve been and where I’m going. A reminder that there’s strength in standing still for a moment. In acknowledging the ground beneath you and the history it holds.

Every time I stop, it feels the same and different all at once.

Familiar, like coming back to something that knows you.
And humbling, like you’re being gently reminded how small you are in the presence of something that carries so much more.

I don’t stay forever.

Just long enough to look up at her, to let the wind move around me, to feel that quiet settle in my chest.

And then I keep driving—west into the hills, or back east into the open.

But I carry her with me every time.

Because some places don’t just exist on a map.
Some places meet you where you are—and leave something behind when you go.

And she does.

She always does.

The Things That Followed Me Home

I’ve been building something quietly.

Not because I didn’t want to share it—but because I didn’t know how to talk about it without unraveling it too soon. Some things feel fragile when they’re still becoming. Like if you name them too quickly, they might lose the shape they were trying to take.

But I don’t want to keep it hidden anymore.

I’m creating something out of my photography and my writing. Not just a collection, not just something to look at—but something that holds what those moments felt like when I was inside them. Something that doesn’t let them disappear as easily as everything else seems to.

One of these pieces is rooted in 11 summers at a camp that shaped me in ways I’m still trying to understand. It wasn’t just the place—it was the people, the conversations, the nights that stretched longer than they should have, the quiet moments in between everything loud. It was being known, and sometimes being unknown in ways that still mattered. It was learning how deeply something temporary can change you.

I didn’t realize, while I was there, that I was becoming someone different each summer. I didn’t realize I was collecting pieces of myself that I would spend years trying to sort through later.

The other piece is everything else.

Everywhere I’ve been.
Every road, every shoreline, every stretch of sky that made me stop for a second longer than I meant to.

From the East Coast to Alaska.
From mountains that made me feel small in a way that steadied me, to quiet edges of water where everything felt like it could finally exhale.

It’s the fox that appeared for a moment and then was gone.
The birds that stayed just long enough for me to notice them.
The kind of light that feels like it’s trying to say something, even if I don’t fully understand it yet.

I think I’ve been trying to hold onto things because I’m afraid of how easily they pass.

People.
Places.
Versions of myself.

There are photos I took because something felt beautiful.
There are others I took because I didn’t want to forget.
And there are some I didn’t understand at all until much later—until I looked back and realized they were carrying more than I knew at the time.

This is a slow process.

Some days I open it and everything feels clear, like I know exactly what I’m trying to say.
Other days I close it because it feels too heavy, or too unfinished, or too honest in a way I’m not ready to sit with yet.

But I don’t want to wait until it’s perfect to let it be seen.

I want to share it while it’s still becoming.
While it’s still messy.
While I’m still figuring it out.

Because that feels more true to what this actually is.

This isn’t just something I’m making.
It’s something I’m moving through.

It’s me trying to understand what stayed with me—and why.
Why certain places still feel like they’re calling me back.
Why certain people still exist in the quiet parts of my thoughts.
Why some moments refuse to fade, no matter how much time passes.

I don’t have a clean explanation for any of it.

But I do have these images.
These words.
These pieces of something I lived.

And for now, that feels like enough to begin.